The Best Field Monitors for DSLRs
In a previous article, we looked at some of the best monitors for photographers, but this is a review of the best field monitors for DSLRs.
Consumers have an insatiable appetite for technology. Sometimes manufacturers too are to be blamed for fuelling that appetite. Like in the case of digital SLR, cameras consumers are no longer happy if their cameras only shoot stunning stills. They want more. They need to be able to shoot great videos too. So, on came video capabilities with the Nikon D90.
3 BEST DSLR FIELD MONITORS (Our Pick: The Aputure VS-2)
Modern digital SLRs have come a long way since then. With cameras like the Nikon D5500, it is possible to shoot full-HD videos with a high frame-rate of 60. Cameras like the Panasonic GH4 takes that a step forward with 4K video capabilities.
Consumers now want even better features. Slowly, the line that distinguishes traditional video cameras and SLRs are getting blurred. Consumers want near video camera like features including focus peaking and zebra lines for added control when shooting videos.
But one area that the modern digital SLR has failed to improve on is the live-view screen!
At 3.2” max, the rear LCD screen is neither large enough nor suitable enough for a proper video shoot. Their smallness makes it near impossible to lock precise focusing during shoots, watch out for highlights getting blown or shadows getting clipped. They are also impractical in terms of white balance adjustment and in situations where you need the camera to shoot from a high angle the fixed screen makes it an impossible proposition.
This is where an external field monitor comes into play. So, without further ado let’s look at some of the best field monitors for DSLRs available:
Retailing under $240 the Aputure VS-2 V-Screen 7” LCD professional field monitor gives you the critical advantage of being able to see what’s being recorded on a larger external screen something that gives it an edge over traditional DSLR LCD screens.
The Aputure VS-2 has a 7” LCD screen that gives a 1024 x 600 dot display. Despite the sub-HD display you get the critical advantage of being able to monitor the shoot on a large screen as well as have most of the controls that you aspire for controlling the shoot. The Aputure VS-2 allows you to change the input resolution up to 1920 x 1080p.
Aputure has equipped the monitor with HDMI, Y, Pb, Pr and AV inputs. It comes with most of the features that you need for controlling a shoot – focus peaking, zebra and safe area aspect ratio adjustments.
You can set focus peaking to either low, middle or high and set the color indicator to white or red. Everything in focus would light up in the color of your choice. Turning on zebra settings will tell you whether you are clipping your highlights.
With the Aperture VS-2, you can change the safe area aspect ratio around and frame more consistently with how the scene would appear post-processing. You can choose between 2.35:1, 4:3 and 1.85:1.
The Aputure VS-2 is powered by the coax connector. Alternatively, you can connect the monitor to an external battery for stand-alone operation. The screen can be connected to a DSLR via hot-shoe using the ball joint mount (provided).
- 7" 1024 x 600 display with 800:1 contrast ratio - supports input resolutions up to 1920 x 1080
- Select suite of on-screen scopes for focus & exposure assist
- Multiple video inputs including; HDMI, YPbPr, AV
- Operates on Sony NP-F style battery or AC power
- 24 Month Fotodiox Warranty
2. SmallHD 702 Bright 7” Daylight Viewable Full HD LCD Field Monitor
Continuing on this review of the best field monitors for DSLRs. The next entry on this list is a bit expensive. Manufactured by the Vitec Group the SmallHD is retailing at a not so small price, just under $1,500. The SmallHD 702 Bright is an expensive purchase!
However, if you are serious about making videos this is an investment that will pay for itself.
The SmallHD 702 has a full HD display (1920 x 1080p), unlike the first monitor that we read about. It has 1000 Nits brightness and a resolution of 323 ppi and the viewing angle is 179 degrees allowing you to view it at almost from a straight angle with minimum fuss.
This LCD monitor is designed to be easily viewable under the mid-day sun and perform all the shooting functions smoothly. If you plan on shooting at the most inhospitable bright conditions this is one of the best field monitors for DSLRs.
The monitor can send 3D LUT video output to a downstream device for the director or a client to see the video that is being recorded in its true LUT color applied format. The monitor is driven by the Page Builder OS. This gives it the handy feature to assign individual tools to dedicated pages and call up these tool at the press of a joystick.
Alternatively, you could add more than one tool to a page, and clutter it up if you want, or flick through focus peaking, zebra, histogram or audio monitoring on individual pages using the joystick. For faster and more convenient navigation an optional wireless remote is also available.
Overall this is a fantastic field monitor for serious video shooters.
- SmallHD 702 7" SDI and HDMI Bright Full HD Field Monitor - Canon LP-E6 / Sony NPF Battery Plate - SmallHD 1 Year Limited Warranty
- Panel Type: LCD
- Size Diagonal: 7"
- Resolution: 1920 x 1080
- Pixel Density (PPI): 323
3. iKan DH5 Full HD HDMI on-camera Monitor
The iKan DH5 is a 5” on-camera full HD monitor with a resolution of 1920 x 1080. It has In-Plane Switching (IPS) technology, meaning, color contrasts are better than most other monitors in the business. It has a 450 Nit brightness making it reasonably viewable in outdoor conditions.
However, unlike the SmallHD 702, this field monitor isn't the best for working under direct sunlight. Under something like a Florida sun in summer this field monitor will surely be out of breath.
This 5” monitor, developed by the iKan Corporation, weighs only 91 grams making it a good candidate for hand-held video shooting. The product is very thin, just 0.7”. The iKan DH 5 has a number of features including HDMI input and output, headphone jack, audio wave meter, 1000:1 contrast ratio and an adjustable brightness and color temperature to suit different shooting conditions.
You can monitor histogram, focus peaking, zebra, false color as well as adjust scaling for the DSLR camera’s video output. The monitor also has an upper highlight clipping guide. This setting requires that you punch in the upper limit. When shooting with an exposure above the set values affected areas will be highlighted.
- 1920 x 1080 Full HD LCD Panel
- HDMI Input & Output
- Histogram and Audio Meters
- 3.5mm Audio Output
- Image Flip
We love to hear from you. So leave a comment below and let us know about your experience with field monitors for your DSLR camera.
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Wanderlust at heart and a shutterbug who loves to document his travels via his lenses; his two passions compliment each other perfectly.
He has been writing for over 6 years now, which unsurprisingly, revolve mostly around his two favorite pursuits.
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